Anne de Marcken is an interdisciplinary artist, working primarily in text and moving image. Her credits include multimedia installations, short and feature-length films and videos, algorithm-based narratives, interactive web environments, short stories, long stories, poetry, and screenplays. Recent site-specific works include Invisible Ink (2017) and Invisible Ink: Homeless (2018) two process-based engagements with the peril and privilege of invisibility, and The Redaction Project (2016), an interdisciplinary interrogation of narrative, words and loss. She released the award-winning feature film Group in 2002, notable for its groundbreaking use of video-to-film and streaming technologies, as well as its emergent narrative and queer/feminist subject matter. Her writing has been featured on NPR’s Selected Shorts and has appeared in such publications as Best New American Voices, Narrative, Glimmer Train, and Southern Indiana Review. She has been awarded the Howard Frank Mosher Prize for Short Fiction, the Stella Kupferberg Memorial Prize, the Mary C. Mohr Short Fiction Award and has received grant and fellowship support from the Millay Colony, Jentel Foundation, Centrum, Artist Trust and the Hafer Family Foundation. She lives in Olympia, Washington, with her wife, fellow artist Marilyn Freeman, where she maintains her position as Creative Director of their digital media arts studio Wovie and is at work on the second in a series of four auto-fictional volumes about identity and loss in the new American Millennium.